This past weekend, my knitter friend, Jan, was visiting from NYC. She wanted to go to a LYS, so I took her to Strands Studio, a very cute knit shop in Dana Point. When we walked into the shop, we were met by a long row of colorful knit squares hanging from the beam in the middle of the store. I recognized them as squares from the Lizard Ridge afghan (Fall 2006 issue of Knitty.com), a pattern I had wanted to try. The shop's owner, Kelly, has been knitting these colorful squares out of Kureyon and will put them together with a cloth backing. Kelly's artful display motivated me to run home and start knitting. I only had two skeins of Kureyon in my stash, so I then tried the pattern with some of my sock yarn. Here's the result. Once you get the hang of the short rowing in the pattern, this is a very easy knit.
All things fibery like dyeing, spinning, knitting, felting and weaving. A place to share with fiber friends, current projects, handspun and hand-dyed yarns, information about fiber events. In pursuit of keeping these arts alive and in getting more people interested and involved.
Tuesday, January 29, 2008
This past weekend, my knitter friend, Jan, was visiting from NYC. She wanted to go to a LYS, so I took her to Strands Studio, a very cute knit shop in Dana Point. When we walked into the shop, we were met by a long row of colorful knit squares hanging from the beam in the middle of the store. I recognized them as squares from the Lizard Ridge afghan (Fall 2006 issue of Knitty.com), a pattern I had wanted to try. The shop's owner, Kelly, has been knitting these colorful squares out of Kureyon and will put them together with a cloth backing. Kelly's artful display motivated me to run home and start knitting. I only had two skeins of Kureyon in my stash, so I then tried the pattern with some of my sock yarn. Here's the result. Once you get the hang of the short rowing in the pattern, this is a very easy knit.
Wednesday, January 09, 2008
I had a great time at the class and have to thank Nancy and Carolyn of Common Threads for hosting the workshop. I learned toe-up sock knitting and different kinds of toes. I also mastered the provisional cast-on that Cat explains in her book -- I just needed a little visual push and I got it. I also got my feet wet knitting socks on two circular needles, although I did my sample sock in class on my double points. I didn't want to get bogged down in too many new things at once. But, I am now ready to tackle Cat's book on knitting socks on two circulars. (I know my converted friends are cheering.) Hey, I still love my dpn's. And I started "Bartholomew's Tantalizing Socks" from the new book. The socks in Cat's book for the most part do not use the traditional heel flap. It's a really neat way to knit socks. She also had all of the socks from the book with her and told us the story behind each one. She was a delightful, patient teacher and I was so glad that I had the opportunity to take the class.
Over the weekend, I also finished the pair of ribbed socks I had been working on.

I am now going to turn my attention to finishing a cabled shawl I have been working on that is knit with some very dark brown buttery handspun alpaca from "Shadow", fiber I bought at Black Sheep Gathering two years in a row. Happy knitting and spinning!
Thursday, January 03, 2008
My final resolution for 2008 is to spin all of the fiber I have purchased at Rhinebeck and Black Sheep over the past couple of years BEFORE I go to Black Sheep again this June. I've actually made a dent in this one as I have been spinning every day. This, of course, is the best of resolutions. Spinning is so relaxing and therapeutic and I love it . Here's some of what I have been up to -- This is about 1,100 yards of white cormo wool/tussah silk that I spun and plied with 100% angora rabbit. The cormo blend is from Barbara Parry of Foxfire Fibers of Massachusetts. She has lovely cormo wool rovings and blended rovings from her own cormo sheep. The fiber on the mini niddy noddy is some merino/cashmere dyed by Lynne Vogel and spun by me.
Here are the other skeins I spun from Lynne's handpainted merino/cashmere rovings. I started spinning these on my trip to the Sierras in late September and just finished the final skeins yesterday. There were about five different colorways which I plied on each other. I plan to use all of these in one project -- maybe a vest.
The skeins below, I started about a month or so ago and have been working on them ever since. I wanted to spin an array of colors that would go together in one project. These are all spun from my handpainted rovings. The two gray/light yellow/lilac are superfine merino in "Etoile". Then, to the right is a skein I spun plying "Etoile" and "Johnny JumpUps". On the bottom is a skein of purple baby camel/silk plied with merino/silk in "Gentian" colorway. In the middle is a skein of merino/silk/angora in "Violets Marl" and then the gold skein is merino/cashmere in my "Goldenrod" colorway.
And during all of this cleaning of the nest, I managed to experiment with dyeing a new superwash merino sock yarn. And I am now knitting a test pair of socks to see if I like the yarn. So far, I like what I'm seeing and I like knitting with this yarn, too. These socks are on US2 needles and it's just my basic ribbed sock pattern.
Tuesday, December 04, 2007
So here's some stuff I've been working on since last I blogged. I knit a "Lady Eleanor" entrelac stole a couple of years ago, and ever since wanted to do another. I used some of my stash of Silk Garden -- two colorways. In between the SG, I used natural silk/merino yarn that I dyed which looks so similar to SG, same hand only in solids. My four colors (cinnamon, toffee, pear and moss) melded perfectly with the many colors of the SG. And for anyone wanting to knit the Lady Eleanor with SG, I went down to a US6 needle instead of the US8 suggested in the pattern (using LaLana Wool's yarn).
Then, Lynne Vogel emailed me a pattern she'd worked up for a felted bag. I loved it and, geez, on US13 and US17 needles, it was a snap. I had it completed within 24 hours of receiving the pattern. I followed Lynne's pattern to a "T", but used stash yarn: Manos del Uruguay worsted doubled, and a superfine bulky merino in cream and some I had dyed. After felting the bag, I added a handmade flower from my friend, Michelle Hoffee.
Of course, I was still in felted bag mode and looking to use up more of my stash, so I immediately knit a second one, using Berroco Hip Hop in two colors stranded with Malabrigo worsted merino. This time, I altered the handle by knitting it in three strips and braiding them before reattaching to the other side of the bag. I used the Malabrigo doubled for the handle. The bag turned out so cute and then I knit two colorful flowers with some of my leftover bulky handpainted yarn.
I love both of these bags and they make great knitting and spinning baskets. Another project I had been wanting to do was a pair of "Firm Fitting Fingerless Gloves", one of the Mac & Me patterns I had knit previously. On Ravelry, I saw a pair of mitts knit by "Punkin" from Southern Oregon and was inspired to use some of my natural-colored handspun yarns: taupe pygora and cream alpaca/silk. Here's the result. Yes -- I had to add a splash of color.
After Margie and I had our first foray into "nuno" felt with the kits we brought back from Rhinebeck, we'd been wanting to try this felting technique again, only with silk, instead of cotton gauze. My order of silk organza arrived from Dharma Trading Co. so we got together on Monday and had a very successful felting session. Here's a picture of my piece.
I loved this piece so much, I had to try it again yesterday and here's the result. This time I made a wider and more rectangular piece.
If you haven't tried felting, it's fun but quite labor intensive. My arms and back are killing me today so I'm going to have to recover before I tackle another felted piece.
I was very excited when I saw Lynne Vogel's spinning article for Knitty.Com with a beautiful mobius wrap in the pattern section. I think the Winter Issue of Knitty is going public today (Weds.), so check it out. If you aren't a spinner yet, this article and pattern may just push you over the fence into handspinning.
And, finally, let's keep all of our friends in Oregon and Washington in our thoughts. They have really taken quite a hit with horrendous rains, floods, huge surf, snow storms etc.
Friday, November 16, 2007
I have been spending entirely too much time on Ravelry and I have to agree with my friend, Sheree, it really sucks up your time. But it's fun. So, here are some of the things I've been working on in the past week. I bought this lovely yarn last February at Stitches West from Michele Camacho of Toots LeBlanc & Co. The natural gray yarn in these hats is a 60/40 blend of angora rabbit and Rambouillet wool. It blooms beautifully as you work with it. And I used some of my handspun yarn for flowers. The pattern is Toots LeBlanc's "Celtic Bunny Hat".
I loved the cabling on the top of the hat so much that I decided to use that cabling for a child's cap. And here's the result.
I have also been doing A LOT of spinning (my most favorite thing to do). Here is a skein spun from fiber I bought at Rhinebeck from Roclans Farm of PA. This is a 50-50 blend of kid mohair and Rambouillet wool. The taupey silver color is the natural color of the fibers.
This is a skein I spun from my randomly handpainted rovings. I plied a merino/kid mohair (70/30) blend with a merino/cashmere (80/20) blend. This skein will make a pair of lovely socks.
Here are two bobbins which I am in the process of plying together.
You can see the gauzy fabric and the opaque areas where white merino wool was laid down in a trellis design.
This long piece is wrapped in bubble wrap around a PVC pipe or a rolling pin and rolled until the fabric begins to felt. When the piece has felted somewhat, you then take your piece and bunch it up and throw it (yes, I'm not kidding) on the table many times. Believe it or not, slamming this bunched up wet piece of fabric actually causes it to shrink and felt even more right before your eyes. This whole process requires a good deal of elbow grease and is not for weaklings. This is my piece in the process of being tortured.
Here are some pictures of our felted scarves drying out on the rack. Margie's is the one that looks like poinsettias. You can see how the base fabric became crepey looking.
Here are some pictures of mine.
Well, I had so much fun on Thursday, I just had to try it again on Friday. So here are some pictures of what I did yesterday. I can see all kinds of possibilities with this process. Here's my project laid out and wet.
Here's the finished piece. Dang! this is fun.
Needless to say, I have been enjoying all this creativity. So, you ask, what am I going to be doing this weekend? I think I may be slamming a bunch of wet wool on the table until my arms finally give out. I have a couple of very cool Japanese books on felting and I may try some projects from those books. I can't read the Japanese but the pictures are pretty explanatory.
Wednesday, November 07, 2007
I was up at 4:00 a.m. Sunday morning readying myself for the Torrance Fiber Festival and was on the road at 5:15 a.m. to pick up Margie. We have a tradition of starting the day with a latte from Starbucks in Laguna and ending the day with a latte at Starbucks in Torrance -- we need caffeine for the road, coming and going. And Sunday was no different. We had a phenomenal day at Torrance -- frenzied at times -- we could barely catch our breath. Everyone who attended said that this was the largest turnout ever. We were stoked, to say the least. It was great to see so many of our fiber friends and to meet new friends, too. Thank you so much everyone for stopping by. I took some pictures of our booth. Of course, Margie and I are biased, but we think we have one of the most colorful booths. Here's the rack of my handpainted rovings:
Margie had lots of handspun yarn, lots of washed wool and hand-dyed mohair locks, and many skeins of her yarn handspun from mohair locks (a big hit with the knitters).
Margie finally gets to come up for air and take a break during the fashion show lull. She's wearing a vest that she handknit from her hand-dyed, handspun yarn.
My handpainted sock yarn (variegateds and solids) were a big hit.
I was also fortunate to have some lovely handcrafted niddy noddies from Blarney Yarn (a local OC artisan) as well as handcrafted drop spindles from Cascade Spindle Co. from Washington. Both of these artisans use exotic woods in their spinning tools. Not only are they beautiful to look at, they feel wonderful working in your hands.
Here are a couple more pictures -- skeins of our handspun yarns, bags of silk and cashmere rovings and patterns.
On the way home, we were exhausted, but with lattes in hand, we headed down the freeway elated, having had one of the best days ever at the Southern California Handweavers Fiber Festival. The SCH Guild should be commended for the great job they do of putting the show together every year.
So, now it's time to catch my breath, relax, spin and get creative. Yesterday, I broke into some of the exquisitely lovely fibers I bought at Rhinebeck -- some merino/angora/silk roving -- from a small farm that raises angora rabbits. Here's the result:
This whole week is going to be a treat to myself -- spinning, spinning, spinning -- one of my most favorite things to do. And an outing for lunch with a friend. As my friend Jerry says, life is good.